Natasha Noorani is a Pakistani musician, singer-songwriter, playback artist, music curator, ethnomusicologist, and festival director from Lahore. She is recognized for combining contemporary music with her deep interest in Pakistan’s musical history and heritage. Her work spans independent music, music management, curation, archiving, and live performance.
Performance highlights and selected moments
Natasha Noorani is a Pakistani musician, singer-songwriter, playback artist, music curator, ethnomusicologist, and festival director from Lahore. She is recognized for combining contemporary music with her deep interest in Pakistan’s musical history and heritage. Her work spans independent music, music management, curation, archiving, and live performance.
Alongside her own music career, Natasha has played an important role in Pakistan’s modern music ecosystem through Lahore Music Meet (LMM), Coke Studio, music archiving, and other cultural projects.
Natasha Noorani grew up in Lahore in a home where music was an important part of family life. She has said that her mother encouraged her to sing and perform from childhood.
She began making music at around the age of 14 and later developed her skills across different musical styles. Her musical interests include R&B, neo-soul, rock, pop, jazz, and semi-classical music. She has also trained in khayal gayaki, connecting her contemporary work with South Asian classical traditions.
Natasha studied at Lahore University of Management Sciences (LUMS) and later completed a Master's degree in Ethnomusicology at SOAS University of London. Her academic background has strongly influenced her interest in documenting and preserving Pakistani music history.
Natasha started performing regularly as a teenager and began producing music professionally around 2014. She became increasingly active in Pakistan's independent music industry during the 2010s.
Her professional career developed across several areas rather than being limited to performing. She worked in music management and curation and became associated with projects involving some of Pakistan's major music platforms and artists.
She also worked as General Manager of Coke Studio Season 10 and later helped curate the lineup for Coke Studio Season 14.
One of Natasha Noorani's earliest major releases was her debut EP Munaasib, released in 2018.
The project demonstrated her interest in combining R&B, neo-soul, progressive rock, and other contemporary sounds. It established her as an independent artist with a sound that did not fit neatly into one genre.
Songs associated with the project include “Fever Dream” and other tracks reflecting her experimental approach to songwriting and production.
Natasha's music career combines songwriting, vocals, production, and collaboration.
Her work has moved between contemporary pop, R&B, neo-soul, electronic music, rock, and South Asian musical influences. Rather than restricting herself to one genre, she has repeatedly described her approach as experimental and genre-flexible.
Some of her notable songs and projects include:
Her music has also included film, television, and commercial projects.
Natasha's debut full-length album RONAQ was released in 2023.
The album was co-produced with Talal Qureshi and Abdullah Siddiqui and brought together elements of pop, R&B, electronic music, and South Asian sounds. The project represented an important step forward from her earlier EP Munaasib.
The album reflects Natasha's interest in creating contemporary Pakistani music while maintaining connections with the country's wider musical heritage.
“Baby Baby” became one of Natasha's most recognized early recordings after appearing on Velo Sound Station 2020.
Natasha described the project as one of the biggest musical experiences she had worked on at that stage of her career. She also worked with Bilal Maqsood on the performance.
“Trace” was one of Natasha's early independent singles. The song was written by Noorani and recorded and produced with Ali Suhail. It helped showcase her songwriting and alternative-pop sensibilities.
“Matlabi” was released as a single from her RONAQ project. Natasha described it as one of the darker songs on the album, touching on themes of generational trauma and womanhood.
“Choro” is another notable title in Natasha's catalogue and remains among the tracks associated with her contemporary independent music work.
Natasha Noorani has also contributed vocals and music to Pakistani film projects.
Her documented film-related work includes soundtracks for Baaji (2019) and Chalay Thay Saath (2017).
Her work as a playback artist demonstrates her ability to move between personal independent releases and music created for visual media.
Natasha has collaborated with several Pakistani musicians and bands throughout her career.
Notable collaborations and associated artists include:
She has also collaborated with artists from different areas of Pakistan's independent music community, helping connect established musicians with newer sounds.
One of Natasha Noorani's most important contributions outside her personal music is Lahore Music Meet (LMM).
She co-founded Lahore Music Meet in 2015. The festival and symposium was created as a platform for Pakistani musicians, music professionals, researchers, and audiences to discuss and celebrate music.
LMM has provided an important stage for emerging musicians and has grown into one of Pakistan's notable music-focused cultural events.
By 2026, reporting on the festival described it as having showcased more than 150 Pakistani artists and hosted more than 200 sessions over its decade-long history.
Natasha's work is not limited to contemporary music.
She founded Peshkash, an archival project focused on preserving and promoting the history of 20th-century Pakistani music. Her background in ethnomusicology has allowed her to combine academic research with practical music curation.
Her interest in older Pakistani recordings, artists, and musical traditions has become an important part of her professional identity.
Natasha has held several important behind-the-scenes positions within Pakistan's music industry.
She served as General Manager of Coke Studio Season 10 and later helped curate the lineup for Coke Studio Season 14. Her work has therefore included artist management, music programming, curation, and production alongside her own performing career.
She has also worked with major Pakistani music and entertainment projects, including music-related work connected with the Pakistan Super League.
In 2019, Natasha Noorani became the only Pakistani recipient of the Goethe Talents Scholarship that year, according to profiles published about her.
The scholarship recognized her work and provided an international platform for her musical development and cultural exchange.
Natasha was selected as an EQUAL Pakistan Ambassador of the Month in 2022.
Her song “Matlabi” was featured on the EQUAL Pakistan playlist during this period. Natasha spoke about the importance of initiatives that create greater opportunities and visibility for female and non-binary musicians.
This recognition helped bring her independent music to a wider digital audience.
One of Natasha Noorani's most significant live-performance milestones was her appearance at Boiler Room Pakistan.
She performed as part of the special Boiler Room Pakistan showcase, which featured musicians and performers selected for their contribution to Pakistan's contemporary music culture. Natasha later described the performance as one of her most memorable concerts.
Natasha Noorani's musical identity is broad and experimental.
Her work incorporates:
Her training in khayal gayaki and academic work in ethnomusicology also give her music a connection to South Asian musical traditions.
Natasha Noorani remains active in Pakistan's music and cultural scene in 2026.
Her recent catalogue includes RONAQ, Club Sandwich, and newer music associated with the 2026 soundtrack release SAYA, which is listed as music inspired by the original series Bait and released in April 2026.
Her wider work continues to extend beyond performing, with music curation, archiving, festival development, and cultural programming remaining important parts of her professional profile.
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